In the late 19th century, the American illustrator and publisher Benjamin Day developed a cost-effective printing technique that used dots in different densities to reproduce images on a mass scale. This process, named after its inventor, matured over the next century and was utilised to print newspapers, advertisements, and pulp comic books in the 1950s and 60s. Sigmar Polke (Germany, 1941–2010), Roy Lichtenstein (United States, 1923–1997), and Gerald Laing (United Kingdom, 1936–2011)—along with the rest of the world—devoured this imagery daily, and chose to reconfigure it in their works.
MARCH 6 - APRIL 21, 2018
OPENING RECEPTION: March 5, 6–8PM